Film Sound and Post-Production
I work in film sound across feature films, short films, television pilots, and documentary projects. My work spans sound design, dialogue editing, supervising sound editing, composition, and post-production, with credits on award-winning films screened internationally.
I collaborate closely with directors and producers to support story, performance, and tone, ensuring sound serves the narrative rather than drawing attention to itself.
Selected Film Work
Awards & Festival Recognition
My work has been recognised at international film festivals across feature films, shorts, television pilots, and documentary projects. These awards reflect collaborative filmmaking efforts and long-form post-production work across a range of genres and formats.
Cash 2 (2025)
Associate Producer · Sound Design
Winner — Best Feature Film, Southern California International Film Festival
Winner — Best Action Feature, Culver City Film Festival
Cash (2023)
Associate Producer · Sound
Winner — Best Feature Film, Seal Beach Film Festival (USA)
A Small Punch in a Little Town (2019–2021)
Producer · Supervising Sound Editor · Composer
Winner — Best Drama (Feature Film), Northern Virginia International Film and Music Festival (USA)
Winner — Best Picture (Feature Film), Hollywood Dreamz International Film Festival (USA)
Winner — Best Proof of Concept, Action on Film International Film Festival (USA)
Legends (2019)
Associate Producer · Supervising Sound Editor
Winner — Best TV Pilot / Web Series, Action on Film International Film Festival (USA)
Winner — Best TV Pilot / Web Series, Hollywood Dreamz International Film Festival (USA)
The Disappearance of Frederick Valentich (2018)
Sound Recordist · Sound Editor · Composer
Winner — Best Documentary Short, Action on Film International Film Festival (USA)
Words of a Teenage Writer (2017)
Co-Producer · Sound Editor · Composer
Winner — Best Short Film, Action on Film International Film Festival (USA)
A full list of credits and roles can be found on IMDb.
APPROACH TO FILM SOUND
My background spans both sound and production roles, which informs how I approach film post-production. I understand the creative, logistical, and narrative pressures that exist across the full production pipeline.
Whether working as a sound designer, supervising sound editor, or composer, my focus is always narrative clarity. Sound is used to reinforce story beats, emotional pacing, and performance without overwhelming the frame or distracting from the film’s intent.
I’m comfortable working independently on smaller projects or integrating into larger post-production teams on feature-scale productions, depending on the needs of the project.
Collaboration and Workflow
Film sound is inherently collaborative. I prioritise clear communication, thoughtful feedback loops, and practical workflows that respect schedules and budgets while maintaining creative standards.
My role is to support the director’s vision and contribute meaningfully to the final film, whether through detailed sound design, dialogue work, or broader post-production support.
Enquiries
For film post-production work, sound design, or collaboration enquiries, you can get in touch here.